With Visitor Filmmaker, Director, Stefan Glidden

Portion II

Larry Jordan: Alright, we’re back for Element II from the Redrock Micro Cinema Lens Adaptor products profile.

I’m right here with filmmaker Stefan Glidden. Stefan: So, is it possible to present us the way to set this factor jointly?

Stefan Glidden: Yeah. Of course. All suitable, so to put collectively you have the base that slides to the tripod. Then place the rail in, which you employ for all form of different sorts of pieces of apparatus that want support.

Redrock sells a observe concentrate so they have got a lens mount in case your lens is too prolonged. Utilize it for matte box. And Furthermore, it holds the actual Redrock digital cinema device. Then, set the camera about the mount like that. Then the achro-mat listed here. You have the appropriate mixture of action-down rings or phase-up rings. After which this is part of the MicroX adaptor. It screws on here for the achromat. Set the Redrock within the rails. Tighten that up so it will never go anyplace.

So now you’ve the MicroX, which requires a little Allen wrench that comes along with the set. And it just slides around the mount there. You have to tighten up the screws. Not far too tight, as you form of have to adjust it as you set the Redrock on. So just tighten more than enough making sure that it stays.

Then you really slide the M2 to the MicroX and regulate it in order that it couples correctly. And then after It truly is in, tighten it up. I’m using a Canon line mainly because it strains up equally as it does over the regular however digicam. That locks in there. Then you really just Guantee that your M2’s locked down and anything is tight. Which is it with the assembly.

Then when you switch your digital camera on, you should make changes. You must established your back again aim, You should established the zoom.

Larry Jordan: OK, so show us how to do this.

Stefan Glidden: So this is what it seems like through the viewfinder if you’re putting together the M2. This really is shot While using the HVX. So, initial we need to be sure that the MicroX is straight, so we modify by twisting Carefully just to ensure that It really is straight on there. When you’ve obtained it type of established then Everything you’re viewing the center there, that is the Cinescreen. So, we have to zoom in so that the shadows drop off entirely so all we’re looking at may be the screen. And afterwards you’ve got to adjust the focus so the grain from the display is available in. Plus the HVX has a focus guide which can help me to do that.

Now, I do everything without the lens on; with no lenses over the front. That makes it just a little much easier to begin to see the grain. And afterwards we will mount the lens around the entrance and flip over the switch so the Cinescreen begins spinning as well as the grain disappears therefore you’re excellent to go.

Larry Jordan: All correct. This has actually been Larry Jordan. Thanks yet again for remaining with us. We’ll see you future time on HDFilmtools.com.

Lawrence Jordan, A.C.E. can be a pioneer in the field of making dynamic media using a variety of digital equipment. In 1991 he labored on the first extensive-format undertaking in Hollywood to generally be edited digitally utilizing the Avid Media Composer. Following consulting with Macromedia and Apple on Final Cut Pro, in 1999 he established 2-pop – The ultimate Lower Pro & DV Facts Web page. He now operates JODADA, a digital media tactic and consulting agency and publishes Hollywood Reinvented [http://hollywoodreinvented.com] The Community for Digital Filmmakers, and among the list of to start with web pages to webcast High definition online video as its Key articles. He is now writing a different ebook, “Website Video clip Mojo.” [http://webvideomojo.com] You’ll be able to get to him at: lj (at) jodada.com.

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